It hits me every time I go into Rural King. Or when I pass a barn with a riding arena, set up for rodeo or jumping—that familiar twinge of admiration and envy. It’s an agony of nostalgia if I encounter a trail rider and they are mounted and I’m on foot, hiking.

I miss who I was when I was a horse person.

I’m still a horse person. But not like I was. Not when I smelled every day of leather and horse sweat, when there’d by hay in my hair and baling twine in my back pocket.

I still have round pen panels in the garage. I have one remaining saddle, some brushes, a feed pan. I keep a lead rope in the truck.  There’s a hoof pick in my desk drawer in my office.

I go into the farm supply store to buy chicken feed, dog and cat food. I avoid the horse aisles.

I hate not buying fly spray and dewormer and supplements. I hate walking right past all those rows of horse halters and mineral blocks, hoof treatments and curry combs as if all of that never had anything to do with me. As if I never had anything to do with it.

I’ve been blessed with some amazing horses. Pat, the pony who was my first horse love. Beautiful, brilliant, fast Merlin, the horse of my heart and soul. Sweet Crocodile and Mythic the mischievous, Ghostbuster and my dear Joker. Caesar, the gentleman. Pantheon, the rescue I could never quite reach.

Merlin, my soul horse. And my dear little Robbie, a noble dog.

Since I was about 5 years old, I’ve said I was born loving horses. I said, “My real mom or dad must love horses.” It was a statement that reverberated within my adoptive family.

And as it turns out, it’s true.  

Ironic: I’ve found where I belong, and I’m not there right now.

I found my biological family, including my father, and I’ve ridden his wonderful mare, Keeper, and we can talk horses all night and all the next day, but my anecdotes are from years past.  There’s nothing new to tell him.

I’ll have horses again someday. I plan to, anyway. Right now, I’m focused on my career as a horror author, a teller of dark stories and flash fiction. I’m rewriting (again) my first novel, and I’ve got four more lined up right behind it.

Truth is, if I have a horse, I won’t write. It’s the time, sure, but more to the point, it’s that the angst pushing me to write evaporates in the presence of horses. I don’t have to do anything more than put my face against a neck, right where it meets the shoulder, or run my hand underneath a mane for everything in my world to tilt onto a more stable axis. (Pun intended.)

I feel like writing is what I’m supposed to be doing right now. Some days I’m sure of it, some days it’s cloudy.

As I write this—this reflection so often in my mind—I can see, from where I sit, the edge of what will someday be a pasture for a couple horses. I know that, if I had horses there now, I could walk outside, go to the gate, and they’d come with their nickers and their face rubs and all this angst would melt.

Instead, I’m holding onto it. I’m about to go back into the document labeled Version 11, with Outline 4, and see if I can tempt a future reader (you, maybe?) to fear the cold, dark water of a strip mine pit lake and the primal creature who swims there, not alone—a creature who misses the way things were before the diggers came. And a main character who is trying to hold onto who she is.

My writing comfort zone is flash fiction. It’s where I found my voice. And my first writing community. The process of writing a novel is vastly different from flash. I really love both processes. Writing this novel makes me appreciate the freedom of flash, and renews my respect for the creative process that happens there.

I approached the novel methodically. Or so I thought. I had a multi-page annotated outline to guide me. As it turns out, I hadn’t planned and plotted nearly enough! About 2/3 of the way in, I realized I had not thoroughly considered some of the most important plot points—like, why do you have TWO ghosts? Also, if you want the reader to like your main character, maybe spend some time making her likeable?

With flash, I rarely have even a smidge of an idea when I sit down to write. I use random-word prompts or picture prompts. When I start writing, I don’t know where I’m going. It’s free-falling. Sometimes it works and the words soar. Sometimes it’s more of a crash and burn. But it’s exhilarating. Even the flailing around can sometimes produce a nugget of a story.

I’m friends with and know so many writers, I feel kinda precious being all excited about draft 1, novel 1. But, having gotten this far, I can say I’ve learned tons about my own processes. For me, flash is instinct followed by thinking. Novel-writing begins with thinking and is aided by instinct.

I’m excited to dive into the second draft. I plan to have it in hand by AuthorCon St. Louis.